Emma Crichton Miller betoogt in een Engelstalig artikel in het online Aeon Magazine dat het bezoeken van een museum veel overeenkomsten kent met het ter kerke gaan. Kunstwerken, zo zegt ze, bieden namelijk toegang tot het transcendente. Ze ziet wel een groot verschil in het type ‘verlossing’ dat kunst biedt.
I was in my teens when I first started to really look at paintings. Although I didn’t just look, I bathed in them, and I was perpetually teased by my friends for the tremendous length of time it took me to navigate an art gallery. This pleasure of looking and of being completely absorbed in painting has remained constant; whether ancient or modern, figurative or abstract, and whatever the style, I am prepared to give every work the chance to lure me in.
What is so compelling? When art was an adjunct of religion, its power was clear. But from the Renaissance on, painting, at least in the Western tradition, has preoccupied itself as intensely with secular as with overtly religious subject matter, or else with no subject at all. Yet when you are in the presence of an unequivocally great work of art, it seems to open a door to a realm of ideas and emotions not accessible through any other route. It’s a quality that goes far beyond prettiness or great skill, which on their own can numb and irritate, and it transcends the visceral excitement of paint, or the sorcery of summoning life onto canvas. Nor is it just the stories of power or desire, however literal or oblique, that binds us. There is some hankering after truth that drives us to look intently at pictures, some hunger of the spirit as much as the senses. … Lees verder op Aeonmagazine.com